Illustrated Journal: Week 8- Day 1

Brevity Facial Expressions


Illustrated Journal: Week 3-Day 1

Arm and Hand Bone Sketches


Full Page


Labelled Arm


Labelled Hand


Unlabelled Arm

Prismatic Sketches of Hands and Faces by Lui Ferreyra Write Up

A focus for realistic forms is the main focus of these pieces, recreating human images with colorful, mostly organic shapes. It’s like a puzzle, where the pieces had to be carefully made to fit together, and the vibrant colors used as shading and highlighting is eye catching.

My only question is how did the artist start the images? Did they get the outline first and fill it in, or did they begin with an inner shape and go from there?

Understanding Comics Chapters 5 & 6 Notes

Chapter 5 shows expression and emotion through comics

Chapter 6 show the correlation between visual arts and literature, and how comics intertwines the two.

Early twentieth century artists began to create the foundations for modern conventions of showing emotion through visuals

Different lines can convey different emotions (page 124-126)

Wavy lines have become commonplace in comics as activators for a variety of different smells or feelings (128&129)



Reference Image


First Caricature



Final Caricature

I began with an image of myself making an odd face, and drew the first in my sketchbook, trying to exaggerate and angulate certain features of my face. I wanted to extend my extruding jaw and make the mouth smaller to put more focus on the large glasses and my eyes, as well as flattening the top of my forehead to get a more defined hairline.

After talking amongst my classmates, they gave me some ideas and critiques as to how I can improve on the image. The jaw was extended even more, and the head was made even more angular. The beard was enlarged to give it more of a focus, and the mouth was shaped more oval than the reference image, but less circular than the first caricature. The glasses were decreased in size to give more attention to the eyes. I felt the headphones were mot necessary, so they were not drawn in.

After finishing the drawing, I took the image into Photoshop to give it color. Using the paint brush and the layer opacity tool, I added in the different colors of my face and jacket, adding tints of darker hues of the color to give the definition of shading. The shading wasn’t meant to copy the reference image exactly, but was there to give the caricature some depth to it. The addition of the sweatshirt was for an iconic look, since I am generally wearing it all the time.

Something I have learned from this is to spend more time thinking about how I want something to look rather than doing it. The colors were not planned well and they came out very plain.

Illustrated Journal: Week 1-Day 2

Caricature Ink Copies


-Al Hirschfeld


-Drawing of Frankenstein dressed as Raoul Duke by Eric Shonborn


-Georges Goursat



Added varying line weights.


Added shading to 1/3 of the image


Drawn over entirely with straight lines.